Wednesday, September 25, 2019

Challenge Time! Lost Civilization Challenge




Hey Bards!

It's time for another challenge! This was the second most voted for in the last poll I sent out so I decided we should do this one next!

This challenge's theme is 'Lost Civilization'



Rules

As usual, this challenge does not have a lot of rules, pretty much it's just what it sounds like. Write a story about a lost civilization. This can be something taken from folklore or mythology (like Atlantis) or something completely made up! Use your imagination! The only rule is that the story has to involve a lost civilization in some form (even if it's imaginary in the story.)

Deadline

The deadline for this challenge is October 25th but please feel free to email me if you need more time and still want to join in.

If you're new to Modern Bard and want to join in this challenge, just give me a heads up at my email: sirwilliamssquire@gmail.com


Happy writing!
Hazel

Monday, September 16, 2019

A Day in the Life Challenge: "A Night in the Life of Glassman" -- by Deborah O'Carroll



A Day Night in the Life of Glassman
by Deborah O’Carroll

My day—or night, to be technical—starts how it always does: I destroy my alarm clock. Now, that might sound backward for a guy whose superpower is fixing things. But trust me, just because I’m a night owl doesn’t mean I like getting up any more than the next person, even if I get to wake up at sunset. Anyway, my alarm clock’s the only thing I ever break on purpose.
Groaning, I stumble out of bed and across the cold cave floor toward the beckoning aroma of coffee. I yank open the curtain as I pass. Final rays of sunset shoot through the narrow window in the cave wall, lighting up my work bench. I pour a cup of sustaining caffeination and inhale half of it. The coffee takes hold so I can focus enough to appreciate the sunset across the lake through the window.
“Thank you, Techra,” I mutter, not sure what I’d do without the gadget she made me before going on vacation: a coffee maker timed to finish when my alarm goes off.
Right. The alarm.
“Lights,” I tell the room as I cross it and gulp down the rest of my coffee. The lights set into angles and crevices of the rock ceiling and walls flicker on, replacing the sun’s dying light with blue-white electricity so I can actually see in my cave. Home sweet home, but I can’t work in the dark. Another of Techra’s inventions. Having a sister whose superpower is technology is super helpful. No pun intended.
I crouch, resting my elbows on the knees of my jeans, and stretch my hands over the shattered remains of my alarm clock. I focus.
The shards of plastic, glass, metal, and mangled electronics spilled across the stone floor give a faint quiver. A soft blue glow reflects off them as my hands hover over them. The pieces flow together. They connect. They re-form the shape they remember from before they broke. Cracks turn to seams, then heal completely. In a few seconds the alarm clock is perfectly restored.
Took longer than usual. Must not be focusing well.
See? It’s not irresponsible. It’s practice to start off the day and evaluate my concentration.
I scoop up the clock, return it to my nightstand, and go back for more coffee to improve my focus.
A portal of swirling lights opens in the middle of my room and Portia steps through, lugging an enormous box bigger than herself. Yes, Portia does portals. And, yes, she’s heard all the jokes. She has super-strength too. 
Some people get all the useful powers.
“Heya, Stor! Here’s the shipment of the day.” She flips her black ponytail with the streak of purple over her shoulder and drops the huge cardboard box unceremoniously on the floor. There’s an accompanying thud and ominous breaking sounds from inside the box.
I shoot her a look over the top of my coffee cup as she picks the box up again to get it farther into the room. “Really? Could you not—”
CRASH.
“—do that.”
Portia shrugs. “You’re going to fix them anyway.”
“That’s not the POINT— Just—” I sigh and slide off my tall stool. “Never mind.”
She slices open the tape closing the box, with something like a dagger—what’s wrong with an ordinary box-cutter, I’d like to know?—and steps back. Several smaller boxes and packages fill up the enormous box, all stamped with “HANDLE WITH CARE” and addressed to Restoren—that’s me—or Glassman. Which is . . . only sort of me. I’m tempted to not help the clients who call me that but work is work.
I choose a box at random—with my proper name on it—to take over to my work bench. I slice open the cardboard with an ordinary box-cutter and gently slide the contents onto the surface of the table, with a lot of chinking sounds. It’s the fragments of a large white china bowl with blue willow-ware patterns visible on the shards. There are approximately a million of them. Probably more than when the owner sent it, thanks to Portia.
“Are you still here?” I say, not looking at her as I inspect the remains and reach my glowing hands toward them.
“I like watching you work.”
I focus hard, and the porcelain pieces begin to join together and form the beginnings of the bowl shape in its past. “Just don’t distract me.”
“You got it.”
Someone chooses this moment to crash through my hologram security system which disguises the mouth of the cave as an ordinary cliff-face.
Avery, of course. I don’t have to look up and see his blond hair with the bright red streak and his silver cape to know that. Only HE would come crashing in like this. Superhero with the standard flight, strength, and super-speed powers, but somehow the most famous of all of us; better known as Airman. So original, I know.
“Hey, Glass!” he calls, like really loud sunshine in my nice quiet cave.
“Don’t call me by that stupid name, Flyboy,” I say, not looking up from the bowl, which is still taking shape, despite his interruption nearly breaking my concentration. He’s older than I am—if that counts with us—but I call him Flyboy when he annoys me. Which is always.
“Point taken,” Avery says. “We need your help. Oh, good, Portia’s here—don’t leave,” he adds.
“What do you need—the usual?” I lean closer to the bowl.
“Yes and no. We did it. We did it, Stor.”
“Did what?” The final pieces form the rim and I concentrate harder.
“We finally defeated Shade.”
My focus shatters and so does the ceramic bowl, crashing back into a million white and blue pieces all over my workspace.
Shade.
I set my hands on the table and lean on it to stop my fingers shaking.
“Stor?” Avery asks.
I draw a deep breath through my nose. “Shade. You’re sure.”
“Yep. Dead. Sure as you’re standing there.”
“Which he barely is,” Portia provides unhelpfully.
“Thought you’d be happy. You know, given—”
I nod and don’t say anything.
Portia breaks the silence. “Um. Stor. You’re bleeding on your table.”
I glance down at the cut on my finger from a bowl shard when I lost control. If only I could fix wounds—physical and mental—as easily as I can fix objects. I absently suck on my injured fingertip and turn around, my features schooled into something casual, finally facing Avery.
“So. You need me to clean up after the superhero/supervillain showdown.”
“If you would.” Avery folds his silver-covered muscled arms and looks hopeful. But also like he knows I won’t say no. Unfortunately, he’s right. 
“I suppose it’s about as bad as usual?”
“Actually—quite a bit worse. But. You know. We were taking down Shade, after all. Of course it’s going to be bigger than normal.” He grins disarmingly.
I shake my head and pull on a pair of sneakers. “You fighty types and your need to destroy cities while doing battle. Why can’t you just take it to a nice quiet desert someplace? Don’t answer that. Portia, would you?”
“Of course.” She opens a portal.
“I’ll go clean up your mess, Avery,” I say.
“Thanks, Glass! You’re the man.”
“Remind me to run your cape through a paper-shredder and then NOT fix it for you.”
He just grins and looks on top of the world. If Shade is really gone, I don’t blame him. I feel the same way. But it also dredged up memories I can’t think about right now. I need to focus. I shove them away and step onto my floating metal contraption thing. Techra named it something long and technical but I just call it the Magic Carpet. I mean, that’s basically what it is—an electronic flying carpet that’s less likely to tip you off since it’s a solid metal platform. The lights are handy for working in the dark, too.
“Just drop me anywhere,” I say.
Portia nods and hops on next to me. “Sure thing.” She widens the portal. 
The little platform zips through, taking us out to hover halfway up the side of one of the skyscrapers lit up in the falling darkness.
“Also, you owe me a date,” Portia adds from where she stands next to me.
I sigh. “I don’t owe you a— I’m working.”
“You’re always working.”
“It’s called making a living—ever heard of it?”
Portia smiles. “Not this—this you do for free.”
“I have to get my hero status from somewhere,” I grumble. Fixing things is my job. If it breaks by accident or you do something stupid? I charge. Someone evil breaks it? That’s free. Cleaning up after these battles is a habit I can’t seem to break—and if I could, I’d have to fix that too, right?
“I could stay,” Portia suggests. “We could make this a date. A working date.” She grins.
I survey the ruins left behind from the showdown between . . . him . . . and Avery, and whoever else was a part of the fight.
Shattered glass. Twisted metal. Mangled concrete. A skyscraper missing a huge chunk and another building totally demolished. Debris everywhere. Smoke drifting through the darkness. 
“I don’t think you’d enjoy it very much. And this is going to take some concentration.”
“A LOT of concentration,” she says with a half sigh. “Right. Text me when you’re done and I’ll take you home. Or I’ll just show up at sunrise if you get absorbed fixing things and end up working all night.” She smirks, opens a new portal, walks backward through it, and is gone.
Glancing around, I mutter, “With this big of a mess, it just might take all night anyway.”
I drift down, standing on my flying metal “carpet” and controlling it with subtle shifts of my sneakers. I slow when I reach a long line of shattered office windows. What a mess. Might as well get started with whatever’s closest. 
Hovering just outside, still several stories up, I reach my hands out. They glow blue. The glass begins to run together like water droplets, re-forming.
I don’t just fix glass, but it is the most common casualty of these superhero fights, and earned me my unfortunate name. Don’t think about that. Or about who was here, causing this mess. I fight to re-orient my focus on the glass which is rising back into a wall of windows. Getting distracted ends in a repeat of the bowl incident, and it would be way worse with something this big. Ask me how I know.
Shards of glass from down in the streets below and from the ledges on the building’s side fly up too, joining the rest of their shattered brethren as the window remembers its previous shape and finally hardens, repaired. 
I exhale. One repair down. Forty billion to go. Fantastic.
I catch sight of my own face in the new glass—pale, angular; streak of blue through the black hair—and turn quickly away, avoiding my reflection.
I drift onward, from destruction to destruction, my “Magic Carpet” zipping from rooftop to street level and everywhere in between. I repair glass and metal, brick and concrete and asphalt, doors and furniture and curtains, roadsigns and lights, sides of buildings—anything broken. And cars. SO many broken cars.
I gain speed as I go, warming up and beginning to fix more than one thing at a time—waving my hands and fixing the entire contents of a corner office and sealing it behind the windows in just a few seconds.
The drain of energy starts to get to me, seeping into my bones, but at the same time I’ve never felt so alive.
I never said I make any sense.
People are watching, but I try to ignore them and pretend I can’t see them, just like they’re pretending they’re not there but are staring anyway. Security, janitors, men and women on the night shift, homeless people, night owls like me—anyone out and about at night. More people than I’d like, but much better than it would be if I worked during the day.
Which is why I switched my schedule around and work at night, just in case I get called in for something like this. I used to try to live a normal life, but then this would happen, and after pulling enough all-nighters that left me a zombie the next day, I went all-in and became a full-time night owl. 
Working at night while fixing these cities allows me to avoid the inevitable distractions people cause—so that I don’t end up losing control of a repair halfway, or, worse, going too far and making whatever I’m fixing remember a time BEFORE I want it to stop. Like the time I turned a plastic car fender into a pile of dripping chemicals. Or the broken piece of stone in a wall I was fixing turning into a larger slab of uncut mountain.
Yeah. That was great. Took some serious fixing. Reversing that was harder than usual and I ended up taking twice as long to repair that city, and was basically bedridden for days afterward.
I can’t work if I can’t focus, so concentrating is the most important thing, and people know that about me by now. If they want their destruction fixed for free, they respect that and keep their distance—though not enough to stop them trying to steal a glimpse of me, or a picture on their phone, if they’re around while I’m working. 
But it’s good enough and I can tune them out. Mostly. It’s harder than usual tonight, especially since my thoughts keep turning toward things I’d rather not think about. I fight to control them and focus harder as I drift toward some apartments with a gaping gash torn through the broken yellow bricks. 
My blue light plays over the chaos and raises a cloud of dust before the wall re-forms. I caught a glimpse of a broken table inside and forgot to focus on that and can’t fix it as well when I can’t see it. So I step off my hovering platform, through the doorway, repairing splinters as I go. I fix the table and some fallen picture-frames, plates, mugs, and bent silverware, and the light fixture overhead—which turns on and lights up the room, back to normal. I turn toward the fallen door which got kicked in and lies shattered across the linoleum. That’s when I see her.
A little girl stands across the room, her thumb in her mouth and something like a doll under her other arm. She doesn’t look surprised, just watches me. I watch her back. Then she patters in my direction, around the broken door, takes her thumb out of her mouth, and holds something toward me.
A china doll in a yellow dress, with a cracked face and a missing leg which the little girl holds out to me with her other hand. 
She doesn’t say anything. I don’t either.
I take the doll and let my hand glow. The crack on the doll’s face heals, and the leg reattaches. I hand it back to the little girl, who trades me a piece of paper. A crayon drawing of a stick-figure wearing blue and black, with black hair and a streak of blue in it, and a spiderweb of cracks across a window. GLASSMAN is scrawled in red letters at the bottom.
“I don’t only fix glass and china, you know,” I say, half annoyed, to cover up my other feelings.
She smiles and brightens up the room more than the light I fixed. I stuff the folded piece of paper in a pocket of my jeans, hop out the empty door-frame onto the Magic Carpet, and fix the door after me, sealing up the apartment. Over my shoulder, I spy a little face watching me out a small window as I speed away.
My next encounter with humanity is less cute and more annoying. Well. Cute in a different way. But definitely annoying. A reporter ambushes me while I’m trying to fix the outdoor part of a cafe. She’s young and blonde and must be new or she’d know better. She pushes a microphone toward my face.
“Mr. Glassman, can you tell us—”
“It’s Restoren,” I growl, jumping off my hovering platform and pushing past her to fix the benches and chairs around the little metal tables on the sidewalk area. Sometimes I like to walk if I’m at ground-level.
“—a little about why it is that you’re here tonight, fixing this beautiful but broken city? Why do you work at night? And why do you repair the devastation left behind by other superheroes?”
I sigh and flick my hand at a table umbrella, which un-crumples and furls outward, snapped metal pieces repairing themselves and rips in the fabric closing. “I work at night so that annoying people like you won’t ambush me and distract me. And I’m not answering questions right now.” Not tonight of all nights.
“Why do you fix things—what’s your motivation?”
“Go away.” I repair a lamppost and a row of shattered flower pots at the edge of the outdoor cafe.
“But why—”
I turn on her. “Why are you a reporter? Why do you wash your dishes or clean up your house? Why do you call 911 if your neighbor falls off a ladder? Why do you paint or play music or make art?—if you know what art is. Why do you do anything?”
“I—” she stammers.
“Exactly. Maybe I do it because I want to. Maybe I do it because I should. Maybe it’s none of your business. Now stop bothering me before I decide to go home and leave you to explain to this city why it has to fix itself this time.”
“But if you do it because you want to, or out of a sense of duty, one reporter asking you a few questions isn’t going to scare you off,” she says with a smirk.
I return it with a dry smirk of my own. “Since you don’t know why I do it, you don’t know what might make me decide to stop. Don’t push it. Go pester someone else. Have a nice night.” I start to turn.
“Glassman, could you clarify on—”
I take the microphone she’s shoving at me and drop it to the pavement at our feet and step on it. It cracks loudly and leaves her gasping a little.
I lied. My alarm clock’s not the only thing I destroy on purpose.
I walk away, trailing a stream of blue light from one hand toward a torn-open trashcan of woven iron, which re-knits itself and stands upright again, though the trash is still scattered on the ground. Oh well. I can’t do everything. 
I do pick up a broken laptop from the pile of trash that someone had tossed and pass my fingers over it, glowing blue, before dropping the newly-repaired device in the surprised arms of a ragged-coated homeless man who’s sitting at the street-corner watching me and the reporter. Right, her. I throw one hand over my shoulder and fix the microphone she’d picked up. It was a lot more draining at this distance, but worth it.
I hop on the Magic Carpet and swoop off toward my final stop for the night, the reporter’s question echoing inside my skull.
Why do I fix things?
Because I love it.
Because it makes me feel alive.
Because I can heal some of the hurts in this world, even if they’re not the ones that matter.
Because I’m a superhero and it’s the superpower I’ve been given, and if I don’t use it to help people, who am I?
Because I want to be a hero. Not a villain.
Never a villain.
I arrive at the last place, the one I’d been putting off. It’s going to take awhile. Clearly, it’s the center of the final battle: an entire demolished building, with something of a crater at the center, black smoke still reaching toward the sky which is just beginning to think about the first half-light of dawn.
I fly over the yellow tape set up around the perimeter—spotting a few uniformed people nearby trying to look inconspicuous—and land on the broken asphalt. First, I walk around the area, evaluating the place and repairing some road damage while I pick my way closer to look at the ginormous mound of debris.
My jeans pant-leg catches on a twisted piece of re-bar and the fabric rips. I pass the tear through my fingers and restore it absentmindedly.
Last one. I can do this.
I return to the hovering platform and stand, closing my eyes, drawing a deep breath, focusing hard. Then I open my eyes and lift my hands. I’ve saved the most energy for this, and even though I’m already tired, I’ve also worked up to it—like the last climb up the highest part of the mountain.
I dig deep into myself and pour out everything.
Blue light streams from my hands. The mangled remains of the building, half burnt and fully destroyed, begin to rise from the ashes. Concrete re-forms, metal unbends, glass re-shapes, wood un-splinters, stone shifts. Things remember what they were like before they were burned, and the last of the smoke drifts away on the wind.
The walls begin to re-build themselves all the way around as I hover above this freestanding building that has a block to itself. I fly ever higher, keeping up with the climbing walls, as slowly, carefully, I reconstruct an entire seventeen-story building.
It takes all my focus. All my energy. It’s like sculpting a masterpiece when you’ve been practicing stick-figures—and I try not to think of the little girl or I might smile and break my concentration. Some of the interior furnishings might not be fully repaired, but the structure will be solid—if I complete it without losing control—and I figure they’d rather replace some office furniture and knick-knacks than the whole building. Plus, I can always come back another night.
I make it to the top and more or less collapse onto my back on the hovering Magic Carpet platform. It’s done. The building holds. Panting, I stare at the sky, losing its last stars and streaking golden-red with the beginnings of dawn. 
My Magic Carpet drifts slowly downward like a feather since I’m not controlling it, but I don’t worry. I’ll get up in a second. 
Eying the repaired building appreciatively as I float down, I reach into my pocket for my cell phone to text Portia.
My hand freezes.
A silhouette stands in one of the floor-to-ceiling windows.
A silhouette I couldn’t mistake for anyone else.
A silhouette I’d hoped never to see again.
“No.” The whisper is barely past my lips when the figure takes a limping flying leap, crashing through glass and landing on my Magic Carpet, which rocks slightly under me from the impact as I’m pinned in place.
“Hello, Stor,” Shade says, a smile curling across his battered face the same way the shadows are curling around both of us. “Nice of you to drop by and let me out.”
I fight to free my wrist and shoulder from his burning grip but he’s too strong. “Let you—”
“I was in an elevator at the bottom of the rubble, as far as I can tell. You fixed it and let me out—ding! You were always very good at fixing things, Stor.” His grin might as well be stabbing me with every tooth.
“You’re dead,” I manage to say, though I know it’s not true—knew it never could have been true; I was just hoping with all my being that it was. “They said—”
“Airman and his cronies?” Shade shrugs. “They may have dropped a building on me and destroyed my underlings, but they’ll have to try much harder next time. Speaking of which . . . I’m in need of some new co-workers and since you did just render me a service . . .”
It’s times like these that I really wish I had different superpowers. There’s a reason why I only come out to do my thing after the others are done fighting and all the dangerous stuff is over. My power might be useful in its way but it’s rubbish for fighting supervillains or even protecting myself. I may be able to fix things, but when it comes to anything else, I’m like any regular human up against super-strength and shadows and fire.
“What do you say? For old time’s sake?”
“If you think we have any old times, you’re even dumber than Airman,” I grind out.
“You do know he’s actually a genius, right?”
I try to jerk free, but Shade still pins me down.
“You should reconsider,” he says, leaning closer. “It’s not like anyone appreciates you. It’s not like anyone cares. Your best work was for me.”
My hand closes around the crumpled piece of paper folded into my pocket as I try to fight the shadows closing in around my mind. “It’s not true. It’s not—”
“Are you sure?” Shade’s voice hisses, and I can’t see anything but shadows now, can’t feel anything besides his grip burning my wrist and shoulder. I’m almost lost in the darkness.
But not quite.
Faces flash through my mind. My sister, making some gadget and laughing. A little girl with a broken doll and a smile. A homeless man on a street corner with a computer. A young woman with black hair and a portal like stars. A blond man with a silver cape. And my own face—flashing in a window with the cracks disappearing from the glass; staring out of a stick-figure drawing with blue and black hair.
My fingers tighten on the drawing in my pocket. The paper tears. Breaks.
My voice rasps and doesn’t sound like mine but comes out strong anyway. “I’ll never work for you again.”
I can only see the shadows, but I can feel the blue glow in my hand, in my pocket, surrounding the torn, crumpled, folded paper. I pour some hidden reserve of energy into it and make it remember how it was before—and before that, and before that, and even before—until it remembers what it was like before it turned into a drawing, and before it was paper, when it was part of a tree.
A splintering shard of raw wood punctures out through my pocket and stabs Shade. He grunts and loosens his grip. I can see again—buildings and a tattered black cape and an almost-sunrise. I roll out from under him, teetering dangerously on the edge of the hovering platform.
“Next time, then. See you around, Glassman.” He shoves me through the nearest window—which I had just fixed, by the way—with a crash, and soars off on my Magic Carpet machine.
Whether or not he’s laughing maniacally is beside the point. It certainly feels like it. 
I groan and pick myself out of the broken glass. Reflexively, I reach to repair the window, then stop. Probably better be on the other side . . . I step through the floor-to-ceiling window onto the outside ledge.
From there, I hold out my hand and repair the glass, wearily, avoiding my reflection. Then I realize it doesn’t matter if I’m in or out, since my transportation’s gone and Portia can pick me up anywhere.
I’m too tired to climb up and fix the window that he broke earlier, and I ache all over. I sigh and pull out my cell phone as I sit on the ledge, dangling my legs over the far below streets of a city just waking up. 
I text Portia. Then I repair the hole in my jeans pocket and hold on to the shard of wood until I get the energy to reverse it, and wait, watching the sun rise beyond the skyscrapers. As if nothing had happened. As if Shade was really gone. As if the sun hadn’t set in my soul when he came back.
Why do I fix things?
Because those things I said earlier are true.
But also because I have to make amends.
Because I have to fix my past.
Because even superheroes have regrets sometimes and can’t look themselves in the eye in the mirror.
Because if you break something, even if you didn’t want to, you should try to fix it. Even if some things can’t be fixed.
Still, I felt like I was doing okay with that. And then Shade had to show up and be not dead.
Then again, on the bright side . . . neither am I.
Even if I do have the most useless superpower for situations that are actually, you know, dangerous.
Portia steps through a sudden portal onto the ledge next to me. “I was about to come anyway. How’d it go?” She sets her hands on her hips, surveying the city with approval. Repaired, whole. A good night’s work, despite everything.
I give one shoulder a half shrug. “Not good.” I stand and dial a different number on my phone.
Portia frowns at me and summons another portal. A familiar cave interior shows through from the other side.
“Yeah?” comes Avery’s voice from the device, barely audible over the sounds of loud music and voices on the other end.
“Hey. Are you . . . partying?”
“You bet we are. Want to drop by?”
“You might want to put a hold on that.”
“Why, what’s up, man?”
“So, about Shade.” I make myself say his name.
“What about him?”
I set my jaw. “He’s not as dead as you thought.”
I hang up the phone and step through the portal. Home.
Ignoring Portia’s startled questions behind me, I kick off my shoes and flop across my bed with one arm draped over the edge, ready to sleep for a week.
As my face meets the pillow, my phone falls from my hand and acquaints itself with the cave floor with a suspicious cracking sound.
Eh. I can fix it when I fix my alarm clock.

Saturday, September 14, 2019

A Day in the Life Challenge: "The Aaaa of Selkama Muna" -- by Benjamin Leskey


The Aaaa of Selkama Muna
Aaaafasi Selkama Muna
In a small city, by the river, sat a little stone house with a large blue pile beside it. The front of the house had a curtained booth with three stools and a small counter with one stool behind it. The rest of the interior, hardly concealed from view of the booth, was not furnished. There was only a small fire pit in one corner and a thin mat in the other corner.
One early morning, the sole occupant of this house was sleeping. He was a long, thin man, stretched out and over the ends of the mat. In his dream, he was bent over trying to count a number of coins and sort them into piles, but someone was standing over him with an upraised whip and he couldn’t turn around to see who it was. He started awake violently, and seeing that it was light, decided to rise now rather than risk continuing the dream which had troubled his sleep for the past few days.
Before preparing for the day, he walked over to the booth and from a drawer under the inside of the counter pulled out a hundred-sided die, about the size of his fist and quite heavy. It was translucent blue, with bold white numbers marking each side. In the center of this die was a round ball weight, ever so slightly skewed and rough.
The man, whose name was Kuyo, tossed the die into a large bowl-shaped indention in the counter. It bounced off some bumps and spikes in the wood and came to a rest at the flat bottom with the number 12 facing up. Kuyo sighed and walked back to the inner room, where he ate a small loaf of bread for breakfast.
Soon the sun had risen entirely above the horizon, and Kuyo went up to the counter, opened the curtains, sat on the stool, and waited.
“Hello sir,” said a burly sunburned farmer, approaching the counter and leaning on it.
Kuyo tapped the die with his finger. “Have you come to seek counsel?”
“Well, yes,” replied the farmer. “So you’re the new aaaa of Selkama Muna, eh? I didn’t hear what happened to Jak, he used to be really helpful here.”
“I am not certain what happened to the previous aaaa,” said Kuyo, “But I was transferred here by Selkama Muna and arrived three days ago by train.”
“Hmm.” The farmer turned and began walking away. “You’re a bit paler than the last one, we’ll have to see...”
“Wait,” called Kuyo, “Didn’t you want counsel?”
The farmer came back to the counter, “Oh yes,” he said. “I do. Can you tell me whether I should cut down that one oak tree today or tomorrow?”
“Shall we say evens for today, odds for tomorrow?”
“Sure, do that.”
Kuyo rolled the die. It bounced around for a few seconds and settled solidly on the number 30. “Today it is,” he said.
“Alright,” said the farmer. “Good day to you.” He continued on down the road.
After an hour without anyone coming by, a young man even taller and more stretched out than Kuyo approached the counter. He was carefully holding a cloth bundle in his hands. An aura of slight uncleanliness surrounded him.
“What have you got there?” asked Kuyo.
“Carving.”
He turned aside and knelt down at the blue pile beside the house. The pile was nearly ten feet high and composed of all things blue. The majority of items were blue fabric and rocks, but there were ribbons, painted wood, paper drawings, bottles of dye, feathers, and more.
The object that the young man uncovered was a small statue of an elegant lady, clothed in dark blue and with skin the color of the sky. The statues eyes were minuscule blue gems, and the hair streamed down in cyan.
“I see,” said Kuyo. “What is your name?”
“Noraska,” replied the carver. He carefully placed the statue in one of the pile’s crevices, below a stiff blue shirt and between two large rocks. “I have brought an image of Selkama Muna, who surpasses both the sun and the moon.”
“It is certainly a excellent carving.”
Noraska swiftly rose and turned in the same motion, bringing a small cloud of dust with him as he leaned over the counter. “It is more than a carving! Do you not appreciate beauty, you aaaa? The beauty of Selkama Muna!”
“As I said, it is an excellent carving. Do you have any requests for counsel?”
Noraska became incredibly offended very quickly. “You dunce!” he cried. “Where is your appreciation!? You fool, you villain! Sir Jak knew both art and elegance when he saw it. You pale in comparison to him!”
“I’ve been recently reminded of that last one,” said Kuyo. He tossed the die into the bowl. “Let’s find out if I force you to leave my presence.”
“What did you say!?” shouted Noraska, who had not heard due to his continuing outrage.
Kuyo was watching the die carefully as it bounced in the bowl, and suddenly slammed his hand down, stopping it. The number upturned was 84.
“Leave now,” he said.
“You stopped it,” accused Noraska. “You’re not fit to serve Selkama Muna. I would be a far greater aaaa! I am one who understands the bearing and grace of that lady!”
Kuyo nodded. “Shall I roll to find out if a freak lightning bolt appears where you are standing?”
“Hah!” said Noraska. “You couldn’t!”
“Fifty or higher means instant death,” Kuyo replied. He tossed the die up into the air and it fell down and began bouncing around the bowl.
Noraska started leaning back from the counter, still fuming. Kuyo stopped the die with a finger. It had landed on 49. At that moment one of the clear day’s fluffy white clouds passed in front of the sun, and a shadow fell over the house even as Kuyo’s stomach rumbled with nearly the exact sound of thunder. Noraska was gone down the road before Kuyo could say another word.
“Thanks,” said Kuyo.
Some time later a group of three elderly sisters approached, tall and tanned with white hair that stood straight up, resembling the high crowns of the mountain queens.
“Ah, aaaa,” said one. “We have come to seek the power of Selkama Muna.”
“What is your request?” Kuyo readied the die.
The three conferred among themselves, then sent one of them forward. “I am Atamara,” she said. “We have come with a request and with gifts for the lady.”
On cue, the three each retrieved large coins so ancient they had turned blue-green and tossed them on the blue pile.
“We want sandwiches,” said Atamara. The other two nodded.
Kuyo frowned. “Can you put that into a number between one and one hundred?”
“We can,” said Atamara. “Patamara! Give me the note.” She stretched her hand back, and one of the other sisters handed her a small piece of paper. “We want,” she began reading, “any number over fifty to bring a sandwich, any number over seventy to bring two, and any number over ninety to bring three. In the event of a number below fifty, we expect nothing more than three pickles. If the number is one, we expect nothing. If the number is one hundred, then the sandwiches must come wrapped.
“Ah,” said Kuyo. “And do you think Selkama Muna will provide sandwiches for you?”
“Certainly,” replied Atamara.
Kuyo rolled the die. The three women stared intently as it bounced around the bowl, slowed, and stopped on 100 exactly.
“Aha!” they cried in one voice, extending their palms toward Kuyo. “Surrender the packaged articles.”
“I don’t provide sandwiches.”
Atamara smiled thinly and glanced a knowing look sideways at her sisters. “We did not ask for youto provide sandwiches. We asked for Selkama Muna, and she has apparently consented to give us them.”
“And you will have them.”
“When?”
“Within the hour. You didn’t specify a time, so Selkama Muna would have considered that a reasonable period.”
“Well then, where are they?”
“How should I know that?”
Atamara drew back. “Datamara,” she prompted.
The third sister, most physically impressive of the three, stepped forward and grabbed Kuyo by his left shoulder. “Where are the sandwiches?” she said in a low whisper. Her other hand flexed as she held it just above the counter in a half-fist.
At this moment, on the other side of the street nearer to the river, a cart appeared, wheeled in by a small dark woman wrapped in so many leather skins that she resembled a round mummy. She stopped directly opposite Kuyo’s house and shouted in a tremendous voice, “SANDWICHES!”
“There,” gasped Kuyo, pointing with his free hand and attempting to break free from Datamara’s iron grip. “You can get them there.”
“No,” said Atamara. “We will wait here until an hour has passed, or Selkama Muna will be proved a liar, won’t she?”
Datamara released Kuyo, and the three sisters sat down on nearby boulders, intently staring at him all the while. 
Fifteen minutes later, Patamara said, “I am hungry.”
Fifteen minutes after that, Datamara said, “I am hungry.”
After another fifteen minutes, Atamara said, “I am hungry.”
The sandwich vendor had been receiving customers from the passers-by, from whom came exclamations of delight and appreciation.
“Close enough to an hour!” growled Atamara like a starved bear. “You lose, Selkama Muna!” She stalked across the road to the sandwich wagon, and her sisters followed without so much as a backwards glance. At the wagon they purchased three sandwiches, which came wrapped in paper napkins, and they left the area in triple-file.
After seeing a brief lull in the people coming by, the vendor took an extra sandwich and waddled across the road to Kuyo’s house, seating herself upon one of the stools.
“Here,” she said, handing him the sandwich. “From their talk, it seems you managed to send them over to me. My name is Keyga Yulan.”
Kuyo gratefully accepted the food. “I am Kuyo, aaaa of Selkama Muna. Thanks for the sandwich, but I didn’t do much.”
“Well at least they thought you did. I set up my wagon here today to try and catch some people coming to the aaaa. I hope you don’t mind.”
“Not at all.”
“Thank you! Aaaa Jak chased me away every time. He said I polluted the atmosphere with smells of bread.”
“Well that’s ridiculous, Selkama Muna likes bread as much as any of us. By the way, do you have any requests for her?”
“I haven’t got anything blue.”
“You don’t need to bring something blue. Did you hear that from the previous aaaa too?”
“Oh really? Yes, he did say that as he was chasing me off. Well if that’s the case, then I do have a request.”
Kuyo finished his sandwich and took up the die. “What is it?”
“You see how I have to be wrapped up in deer skins, even in the warm early days of the Red Quarter. I was wondering if Selkama Muna might cure this bone-chill fever. It leaves me hard to move and constantly feeling frozen.”
“I’ll roll for a cure in the near future,” said Kuyo. “Lower means little improvement, higher means great improvement.”
He tossed the die. Keyga and Kuyo both watched with interest as it jumped and sprung on the roughness, then rolled to a stop on the number 6.
“Too bad for me,” said Keyga. “Thanks anyway.” She waddled back across the road to her wagon as a new customer approached it.
The next thing to come up to the house was a shaved mammoth. Upon it rode two people, a woman and a man in white robes. They had unblemished brown skin and blond hair mostly covered by gigantic yellow-white hats, easily a yard in diameter. The woman’s hair was shining, and she wore much jewelry that glinted in the sunlight. The man was towering and bulky. There was a heavy sword strapped to his side.
The mammoth bent down to let them dismount, then occupied itself waving its trunk at the street dogs, who barked delightedly as it played with them. The two riders took off their hats and placed them beside the counter so that they didn’t bump against the house. The man stood guard while the woman took a seat on one of the stools.
“You are the so-called ‘aaaa’ of the so-called ‘Selkama Muna’?” asked the woman. “And that over there is the so-called ‘Blue Pile’, is it not?”
“Correct on all points,” said Kuyo.
“Excellent. I am Theimuka, Lemfudu, daughter of the sun, accompanied by my bodyguard Lujisin. I believe it is customary that those who come here introduce themselves, as I believe you introduce yourself.”
“Correct again. I am Kuyo, aaaa of Selkama Muna.”
Theimuka unclasped a large gold amulet with an inlaid cut blue gem from around her neck and tossed it onto the blue pile. With perfect accuracy, it caught and hung on an old curtain rod that stuck out slightly.
“We have come from distant lands to kill or to be killed,” she said. “As the daughter of the sun I must drive back the night now, once and forever.”
“Do you have a request for Selkama Muna?”
“I do. I desire her to watch over our combat and bear eternal witness to the struggle between light and darkness.”
“I can roll for that, but first tell me: what is she to you?”
“Selkama Muna is as she appears, the pinnacle of all seers. No more.”
“I see. Then if odds then she declines your request, if evens then she accepts.”
“Do it,” said Theimuka. She leaned forward, bringing light into the shadows of the counter.
Kuyo cast the die. It jumped up once, then toppled down with the number 78 face up.
“Selkama Muna will heed your request, Lemfudu Theimuka.”
Rising from the stool, Theimuka bowed slightly and returned to her mammoth. Her bodyguard acted as a step for her, then grabbed their hats, pulled himself up onto the mammoth by one arm and guided the large beast up from the ground and away down the road, with all the street dogs chasing after them.
Once they had gone, a little girl ran across the road from the sandwich wagon. She stretched up to the counter.
“Do you have a request for Selkama Muna?” asked Kuyo.
“No,” she replied. She released her clenched fist to reveal a small blue-green rock. “I just brought her this because I thought she might like it.”
“You can go put it on the pile.”
The child ran over and dropped the rock onto a ledge just below the gold and blue amulet, then she hurried back to the counter.
“I did it!” she shouted. “I hope Selkama Muna will like it.”
“Do you want to find out?”
“Yes!”
“I’ll roll then. From one, she thinks it is a nice rock, to one hundred, it is the best gift of the whole year. What is your name?”
She pulled herself up onto a stool so she could see in the bowl. “I’m Jimu Yulan.”
Kuyo rolled the die. It bumped around, then he suddenly slammed his hand down and stopped it. The number was 94.
“That was an extremely good gift, Jimu,” said Kuyo.
She shrieked and cheered, then ran back across the road.
When the sandwich wagon had moved on an hour or so later, someone much less pleasant took its place. Noraska had returned, and on his back he carried a twice-life-size wooden statue of Selkama Muna which he set down directly opposite Kuyo’s house. The statue was of the same tall, blue woman he had made earlier, in thin flowing silk clothes carved and painted.
“Behold my magnum opus!” he bellowed. “I am the true servant of Selkama Muna! Her beauty will not go unrecognized!” On one side of the statue he planted a sign reading The Perfect Lady – I am her true servant, and on the other Behold the glory of Selkama Muna.
The people on the road stared at the spectacle, and a small crowd began to form as Noraska expounded in great volume the various virtues, physical and otherwise, of Selkama Muna (and himself).
“What is that?” a woman asked Kuyo. “Is that… Selkama Muna?”
“No,” he replied, but the woman had already gone to get a closer look at the statue. Kuyo went out of his house and pushed his way up to the front of the crowd. “What are you doing?” he called out.
“You!” cried Noraska, pointing a long finger at Kuyo. “Where is yourcarved statue? You call yourself aaaa, but do not revere her as you should.”
“I think it looks like rain,” said Kuyo. “Sudden rain.” He looked up at the clouds for a bit, then slipped back to his house. Almost immediately afterward, the clouds broke overhead, entirely drenching the area.
It turned out that the crowd was more afraid of rain than they were interested in the statue, so they dispersed quickly, leaving Noraska alone again.
“Hah! I waterproofed her!” he shouted up at the clouds, which were already beginning to drift away. Kuyo ignored him.
Two travelers upon mules rode up to the counter, rough-looking men with shifty expressions and long black hair tied around their heads like turbans hiding little pieces of metal.
“Behold Selkama Muna!” cried Noraska, but the men evidently knew what they were doing, and went straight for the aaaa.
“You live very hard here,” said one, noticing the lack of furniture and hard stone floor. “How would you like some extra money?”
“I am the aaaa of Selkama Muna, I do not care for money,” said Kuyo.
“Well, perhaps you’ll help us out of good will then,” said the other traveler. “I am Gorman, here with my brother Korman. We are looking for three individuals. One Lemfudu with her man, and one female Unital. All extremely dangerous, most likely armed.”
“Can you please put that into a number from one to one hundred?”
Gorman frowned further than his already frowning natural expression. “I’m asking you, not Selkama Muna. You must see a lot of people around here.”
“If you’re asking me, then you are asking Selkama Muna, so you must get her reply. One to one hundred, please.”
Korman stepped forward. “How many times can we roll, aaaa?”
“As many times as you have questions.”
“Then we will assign characters and punctuation to each possible number and through consecutive rolls determine Selkama Muna’s answer in plain language.”
Kuyo considered for a moment. “No, that’s cheating.”
Gorman firmly gripped Kuyo’s right shoulder, just hard enough that he couldn’t pull free. “If those individuals meet, your town might be in more than a little trouble,” he said. “I can tell that at least one of them has been here already. You’d better tell me who and when.”
“Selkama Muna is the authority here, not whoever you are,” replied Kuyo. “Release me and be on your way.”
Gorman released his grip, but still leaned in over the counter. “Cast your die for this question: will we find those we seek before they meet?”
“Very well,” said Kuyo. “Evens yes, odds no.” He threw the die, and it came up on 99. “There you have it.”
Gorman gave a disgruntled grunt, and the two travelers left Kuyo alone as they moved further into the city.
On the other side of the road, Noraska had recruited two more men, who had brought a second statue which they set up by the first. This one depicted Selkama Muna in a handstand. Noraska strode across the road with his fellows to gloat.
“I gloat in my success,” he gloated. His fellows gloated in silence.
“Did you forget which way you had to carve it?” said Kuyo.
“How did- no! It’s artistic choice,” Noraska replied quickly. “It depicts Selkama Muna’s infinite abilities.”
Kuyo reached for the die. “Do you want to find out if she really stands upon her hands?”
“Not from a fraud like you. Just watch as the people begin to understand who truly represents the lady to this town!”
They returned to the statues, and began calling out to the passers-by, attracting some of the more curious. One such passer-by was a very tall woman with the head of a cow, sharp white horns, and thick black fur covering her body, a Unital. She wore a flowing black cloak and completely overshadowed Noraska as she approached him. The people around moved away as she came.
“Are you the aaaa?” she asked, her voice a gravelly rumble.
“Well, n-” Noraska stopped and glanced across the road at Kuyo. “Yes. Yes, I am. I am the aaaa of Selkama Muna. That is, in fact, who I am.”
“Just say yes. I am Tijel, child of the moon. Take out your die, aaaa, and give me an answer from Selkama Muna.”
“Ah yes, my die.” Noraska looked at his two companions, who both shrugged as they hid behind the statues. “My die,” he repeated. “Ah yes.”
“Are you truly the arch-seer’s proxy?” Tijel stretched her long hairy arms as she frowned down at him.
Noraska, who was rapidly beginning to regret lying to a Unital, began moving backwards. “Don’t be upset, please.”
Tijel laughed. “Why would I be upset? If a man fools me once, that is my own doing. It’s up to me to rectify it.” She placed her hands on both statues, and with a tremendous high-pitched noise they shattered. Two more quick motions of her arms, and all the signs and several trees lay broken on the ground even as wood dust and splinters from the statues rained down around the three men, who had been knocked down by the blast and sat open-mouthed on the ground. “Where is Selkama Muna now? Give me an answer, vermin.”
“Over there!” squeaked Noraska, pointing at Kuyo. “He’s the one, not me! I didn’t do it!”
“Yes you did, idiot.” Tijel turned away and began striding towards Kuyo’s house, the muscles in her arms flexing. Noraska and his fellows ran. Kuyo began sweating, and cast his die quickly. It came up 100. He sighed in relief and straightened in his seat.
“I am Kuyo, aaaa of Selkama Muna,” he said as Tijel came. “Do you have a request for her counsel?”
“Yes, I do,” said Tijel. She was too large to fit on the stools, so she leaned over the counter and some distance into the house, nearly poking Kuyo with her horns. “I have come to fight a duel with a daughter of the sun, and I want advice on how brutally I should slaughter my enemy.”
“One for no slaughter, one hundred for brutal slaughter?” suggested Kuyo, running his finger along the 1 side.
“No, no, no. That gives Selkama Muna room to weasel me out of my rightful due. One for brutal slaughter, one hundred for extremely brutal slaughter. Cast the die.”
“Ah, but what if she doesn’t want you to slaughter your enemies at all? How can I cast the die if you leave no room for the other options?”
“Because if you don’t cast the die, I’ll get angry at you.”
“Selkama Muna has already informed me that you will neither harm me nor my house.”
“Then it should be a simple matter to prove her wrong.” Tijel grabbed the counter and the ceiling above it. “Watch this.”
“Wait!” Kuyo cried. “I’ll roll. I trust Selkama Muna to figure things out here, and I don’t see any way not to roll and still keep her promise intact.”
“Good man,” said Tijel.
Kuyo rolled the die. It jumped, twirled, spun, and landed on 63.
Tijel grunted. “Sixty-three percent brutality. By the way, we will fight in front of your aaaa-house, so Selkama Muna can watch. If my enemy is already in town, I shall commence slaughtering around one hour after midnight.”
“Is there any way you could not? I want to be asleep then.”
“You can’t always get what you want.”
“May I ask,” said Kuyo, “Why would someone like you come to Selkama Muna?”
“You mean because I know what she is, I suppose. Well, little man, even the aphid produces milk for the ant, but the ant must first farm it.” With that, Tijel strode away, leaving Kuyo wondering what an aphid was.
As the sun set red in the sky and the streets emptied of people, Kuyo paced behind the counter, waiting for the arrival of either another come to request counsel or the night.
Finally, just as he was about to close the house, a lone figure appeared out of the darkness. It was an ogre, strong-jawed with sharp teeth, muscular, tall and stout, with a lumbering gait and powerful bearing. He wore a necklace made of blue shells strung together.
“I’m sorry to trouble you,” he said, sitting carefully on one of the stools, “Is it possible that I may inquire of Selkama Muna? My name is Terawive.”
“All may come to Selkama Muna. I am Kuyo, aaaa of the same. What is your request?”
“I am come to observe and record a fateful duel. I wish for the support of Selkama Muna in my work.”
Kuyo readied the die. “One for no support, one hundred for full support?” he suggested.
“That is good,” said Terawive.
Kuyo rolled, and the die came up 100.
“It seems Selkama Muna approves of what you are doing,” said Kuyo.
“I am grateful,” Terawive said. “Please tell me, is it possible to alter her answer through further action of mine?”
“No.”
“Then allow me to point out that your die is hundred-sided and therefore not fair. I could not help but notice.”
Kuyo smiled and held it up. “Fairness is not an issue here. Look closely, this is a weighted die.”
In a moment, Terawive understood. “I see. That is the power of Selkama Muna.” He unclasped his necklace and set it on the blue pile. “I leave this gift for her, as thanks for her support.”
“It is appreciated. Farewell, sir,” said Kuyo.
Terawive bowed and departed.
With the sun set and the street empty, Kuyo prepared to end the day. He closed the booth’s curtains and returned the die to its drawer. He located and ate more bread. Then he went outside and sat by the blue pile, watching the full moon make its slow way across the sky. He was already growing tired, but an inner part of him did not want to sleep for fear of dreaming again. At last, however, he decided it was better to risk dreaming than to stay awake the whole night, and so stretched over the mat again and slept, with some expectation of rising at the first hour entirely against his will.
When midnight came, a small crunching sound outside disturbed him enough that he woke before his nightmare had progressed further. Someone came hurtling through the curtains and landed heavily on their back before springing up again.
“Who’s there?” said Kuyo, rising and peering through the darkness.
“It is I, the great Selkama Muna! Here, have some light.”
Two ball lightnings phased through the still waving curtains in a rumble of quiet thunder. They hovered just inside the house, illuminating it entirely and sending arcs of electricity to the ceiling and themselves.
Their light illuminated the one who had come soaring through the booth opening. She was stout, strong, and had a large jaw with gleaming pointed teeth. Her circular eyes were violet rather than white, with solid black centers. She was wrapped in a shimmering dark blue fabric that twisted and tightened as if it had a will of its own. Her hair, a similar black color, attracted small arcs of light that came from the ball lightnings and ran up to her head and into her wide ears.
“Aphids,” she said, “are a very small kind of insect that consumes sap. Some ants farm them, providing protection and consuming their nutritious excrement.”
“Selma!” exclaimed Kuyo. “I did not expect to see you here today.”
“Hello, Kuyo. I came to see a pretty sight.”
“Haven’t you already?”
Selkama Muna gazed out through the curtains at the night. “I don’t think there was ever meant to be a replacement for the natural senses. Besides, you will want to see it too, without fearing for your life. The Lemfudu and Unital will have quite a battle.”
“W-”
Selkama Muna interrupted, “No, I’ll stop it before anything important gets hurt.”
“C-”
“Yes, but it’s terrifically hard to break the habit, even when I know you don’t like it.”
“Thank you. Do you want something to eat?”
Selkama Muna smiled briefly. “You don’t have anything for me to eat. If I said yes, you’d be struck with embarrassment for several minutes.”
“Oh yes, that’s right,” said Kuyo. “I’m waiting for my furniture and belongings to arrive, and there is a great barrel of flour in it. They’re late. Do y-”
“An hour after noon tomorrow they’ll arrive. Ah, did it again.” Selkama Muna jumped over the counter, and Kuyo followed out the door. The blue pile was illuminated by the moonlight, and as Selkama Muna approached it took on a glow of its own. She reached out and took up the little stone that Jimu Yulan had placed. “I like this one.”
Kuyo looked closely at it as it glowed slightly in her hand. “It’s just a rock, bowerbird.”
“It has sentimental value.”
“A-”
“No, I don’t like him. It doesn’t even-” She grimaced. “Continue, please.”
Kuyo shook his head. “It’s no good if you already were replying, Selma. It takes all the suspense out of the conversation.”
“Huh,” grunted Selkama Muna. “I wouldn’t know.”
“Anyway, I was just remarking on this carving.” Kuyo pointed at the little statue carved by Noraska.
“And I was saying that it doesn’t even look like me. The big ones were worse. I’m glad the Unital broke them, there would have been a tornado had she not.” She pocketed the stone in her hand and took up the blue shell necklace. “This is very nice,” she said. “It reminds me of one I had a long time ago. I will take it with me too.” She put it around her neck. It fit, though it was smaller on her than on Terawive.
“The Lemfudu left an amulet,” said Kuyo. “Might be the most expensive gift I’ve ever seen.”
“I am not interested in wearing Lemfudu jewelry. I will send one of my servants later, they can have it.” Selkama Muna jumped back over the counter and took the die out of its drawer.
Kuyo returned via the door. “Weigh-” he began.
“Yes- ah.”
“-ting? What grand line of fate are you twisting now?”
“Hmm, I wonder.” She placed her fingers against the die, and little sparks of light shot through it, nudging and molding the weight within. This went on for a few seconds, then she placed the die back in the drawer. From a pocket in her shifting clothes she retrieved a small bottle of syrup and gave it to Kuyo. “Drink a bit of this before you go to sleep, about a spoonful at a time every day.”
“What is it?”
Selkama Muna didn’t reply to that. In a little puff of noise, the ball lightnings vanished. “Here they are, Kuyo.”
Kuyo peeked out of the curtain. On the right side of the road from the house, a light the color of the sun appeared, emanating from the Lemfudu. Her bodyguard was close beside, his sword drawn. They were no longer wearing their gigantic hats. On the left side of the road the Unital stood, a swirl of leaves and dust spinning slowly around her feet.
“Unital Tijel!” cried the Lemfudu, “Your vile operations end here. I will strike you down with all the power of the sun.”
“Lemfudu Whatsyourname!” bellowed the Unital in reply, “According to the word of Selkama Muna, I shall bring the glory of the moon upon you, in a sixty-three percent brutal slaughter.”
“The seer is watching, even now,” the Lemfudu shouted. “She will witness my victory.”
“Stop talking and fight!” roared the Unital, clenching and clenching her hands. “Attack if you dare!”
“Three,” said Selkama Muna, as clouds began to gather overhead, “two, one, now.”
The bodyguard charged forward, and the Unital ran to meet him. The Lemfudu remained where she was, but small blinking spheres of light began forming around her like a swarm of fireflies. The bodyguard swung up, but the Unital met his blade with her hand and the steel shattered. He followed with a fist toward her torso, which she caught with her other hand, sending a ripple through his entire body. He fell to the ground as the Unital dashed past him.
“Lights!” exclaimed Selkama Muna.
From the flickering spheres of light, forty yellows rays shot out toward the charging Unital. She jumped aside, but they followed her, piercing and burning. She roared in pain, but closed the distance to the Lemfudu. The Unital reached for her head, but a wide beam of light emerged from the Lemfudu’s eyes, sending the Unital to the ground smoking.
“Manifest sun!” shouted the Lemfudu. A small replica of the sun emerged above the fallen Unital in a great wave of heat and light. It flared down, but the Unital met it with her fist, and like a cracked mirror the air diverted the light into many rays that pierced the ground in neat holes.
“That’s enough,” said Selkama Muna as the Unital sprung to her feet and rushed forward again.
Four more suns appeared around the Lemfudu, and shockwaves rippled across the Unital, but a sudden downpour quenched them both. Far more rain than was proper crashed down on the scene of the fight, running like a brook down the side of the road into the river, carrying away trees and dirt from the banks and carving a channel into the road.
As suddenly as the rain had started, it stopped, leaving the Unital looking like a cloaked wet rat in the moonlight and the Lemfudu looking like a wet rat in white robes, her glow no longer visible. The bodyguard crawled painfully out of the sudden mud.
The Unital roared with laughter. “What now? Everyone knows that the sun hides from the rain!” A shockwave ran down her body, sending sheets of water flying off her fur.
The Lemfudu raised her hand, another sun exploding forth from it. “No rain will stop me!”
“Persistent,” said Selkama Muna. “Andthey don’t take hints.”
Another downpour smashed into the scene, completely extinguishing the Lemfudu’s light and momentarily sending the Unital to her knees.
“Why me?” groaned the bodyguard, pulling himself up from the mud again.
“Incredible,” said Terawive, who was looking out the curtain next to Kuyo. He was writing in a notebook.
“Oh!” Kuyo exclaimed, noticing him for the first time. “What are you doing here?”
“Observing. Sorry I didn’t let you know, but I needed a safe place to watch and didn’t want to disturb your concentration.”
“What have you observed?”
“I was expecting to record a victor, but it seems someone has intervened. Selkama Muna, I suppose. I managed to record the whole thing in my notes as I sneaked closer.“
“Good for you,” said Selkama Muna.
“Who’s this?” asked Terawive, frowning at her.
Kuyo glanced at Selkama Muna.
“Just another ogre,” she replied.
Terawive nodded. “Ah.”
Outside, the combatants had finally taken the hint. Still facing one another, they backed away.
“Even you,” the Lemfudu said, “will not defy the will of Selkama Muna here.”
“Won’t I?” said the Unital, but she kept retreating from the now-flooded area.
“Stop where you are!” cried Gorman. He and Korman emerged from the bushes with drawn black swords and shields. Gorman advanced toward the Unital, while Korman approached the Lemfudu. Both their targets prepared to defend themselves.
“We’re already done here,” said Selkama Muna, and a third cloudburst swirled down and soaked the newcomers. The Unital bolted at this opportunity, and was soon gone westward down the road.
Gorman shook off the water and picked up the once-again drenched bodyguard. Korman attempted to seize the Lemfudu, but got struck by her mammoth’s trunk when it ambushed him from the darkness. The Lemfudu jumped up and galloped away toward the east.
“D-” began Terawive.
“Some Tormast enforcers,” said Selkama Muna. “Completely pointless.”
Terawive looked at her strangely.
“Had to go anyway. Later, Kuyo.” Selkama Muna hurtled out the window and vanished into the night.
“Who was that?” said Terawive, straining to catch another glimpse of her. “A seer?”
Kuyo said nothing.
Outside, Gorman took the injured and soaked bodyguard back to the city. Korman returned as well, physically damaged from being struck by a mammoth and mentally damaged from being ambushed by a mammoth.
“I must return to my home at once,” said Terawive. “I thank you for allowing me to use your aaaa-house as my observation point. I believe this is the support of Selkama Muna.” He hurtled out of the window and vanished into the night.
“Ogres...” mumbled Kuyo, closing the curtains.
It was well past the first hour, and Kuyo was very tired. He went around the outside of his house once, just to check that the sudden flooding had not damaged anything. Satisfied with the state of the house and the blue pile, he returned and lay on his mat again. Then he remembered his gift and sprang up. He took the bottle Selkama Muna had given him, drank a spoonful of the foul-tasting stuff, lay back down, and slept without a dream.